As we adapt to the new normal, most of us have seen many changes to our lives and how we navigate creating may also have been impacted. Artistic inspiration may have eluded you or maybe this period of time has given you more energy to devote to your practice. Our artist this week Julia faced many additional challenges and she discusses just how inventive she had to become. Sometimes we are forced into new ways of working and just have to embrace these moments.
During this project have you looked at a new way of working ?
Working towards the Insights project has been quite an extraordinary experience for me. Like many fellow Textile Study Group members, I began this project in 2018, following our successful DIS/rupt exhibition tour.
I embarked upon this project with much enthusiasm, but in 2019 my work for Insights came to a complete halt as I packed up my home and studio in the north east of England and permanently moved to Denmark.
Temporarily homeless for a few months, with all my belongings in storage – and without my usual resources, materials and sewing machine to hand – this was an unsettling and challenging time. Whilst finding my way in a new country, navigating my way around a different language and looking for a permanent place to live and work, I had to find an innovative way to develop and continue my textile artworks for Insights.
Just before the Covid-19 pandemic compounded the situation, I borrowed a sewing machine from a new friend. I discovered charity shops where I could buy raw materials. I chanced upon a shop selling machine embroidery threads. And I found a city café that had a stock of free art magazines. At a temporary desk at a friend’s house, I was able to recommence my research, collaging, sampling and stitching and continue developing my pieces for Insights.
So, yes – having been pushed outside my comfort zone – I have certainly had to look at new ways of working for this project!
Are the ideas/themes for this project ongoing or are they new ?
Each body of work I create does lead on from my last one, and there are connections and themes that run through all of my textile pieces. Underlying all my work is my interest in the memories of cloth; from discarded household linen to previously worn underwear, my raw materials are all second hand.
I am interested in creating conceptual textiles about identity and human rights issues which convey a political message through their narrative. Some of my works are explicit and shocking, which is the point. They are not designed to make comfortable viewing – they are statements designed to raise awareness. Although my themes continue, they are developing and becoming bolder and more thought provoking.
My current work investigates issues such as sexism, abuse and consent, and highlights campaigns supported by Amnesty International such as #LetsTalkAboutYes.
I start each new project with a sketchbook beginning by jotting down my thoughts and ideas about the exhibition title, then add primary visual research such as photographs, postcards, quotations and newspaper cuttings. Using this collected imagery I develop my themes through sketches, swatches, stitch samples and collage. Whatever I am making I have to be totally absorbed and immersed in the process; I need to believe in what I am doing and feel inspired and passionate about the statement and integrity my work will convey.